Friday, March 25, 2011
Thursday, March 24, 2011
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Black Chronicle: Safety in the Community of Madrid - 03/23/1911
Francisco Pérez Abellán brings Agustin Sánchez Carretero, judge and managing director of the Police Academy of the Community of Madrid. Federico Jiménez Losantos addition analyzes the decision in Mariluz.
Francisco Pérez Abellán brings Agustin Sánchez Carretero, judge and managing director of the Police Academy of the Community of Madrid. Federico Jiménez Losantos addition analyzes the decision in Mariluz.
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Vincenzo Perugia: 'The Theft of the Mona Lisa'
Argentine A merchant named Edward Carpenter Valfierno convinced the Italian Vincenzo Perugia (former employee of the Louvre) to steal the painting to sell it for a millionaire. Eduardo
Valfierno. A real con artist, son of an Argentine landowner, who squandered inherit little the fortune of his father. To maintain the lifestyle I was accustomed to, was introduced into the world of selling art, and there happen to make contact with a French forger, the painter Yves Chaudron, which as I have read somewhere is considered almost like a reincarnation of Leonardo himself. Together they became a skilled art scammers.
The August 20, 1911, Perugia came to the Louvre museum waiting for the end to stay hidden inside without getting all complicated and that was well aware of the intricacies and mores of the guards, since Perugia itself had been used the establishment. The next day, the day August 21, 1911 peacefully, using the museum's closing day for maintenance and cleaning, and wearing a white coat like the ones used by museum staff, picked up the box and then click Visconti steps, removed the table from its frame, leaving the latter. Shortly after he left the museum with the painting hidden under his clothes, then placed in a suitcase.
Louvre When employees saw the hole in the wall, not given more importance. They thought they had removed to be photographed for the realization of a catalog, one of the photographers who were allowed to do so. It was not until the following day, Tuesday 22, that the theft was discovered, thanks to the insistence of Louis Béroud, a painter who made reproductions for tourists. Had arrived early that morning copy to the museum to find a good spot and avoid the inconvenience of visitors and onlookers. And after not finding insist, because at first there was a great event, the guards found with horror that the painting had been stolen and not removed to photograph. As stated in the newspaper La Vanguardia, 23 August, was not sure of the theft until early afternoon.
Then went on to denounce the lack of security measures at the Museum. They are frightening, if true, the information La Vanguardia on Saturday August 26 . A deputy was outraged because there was more modern security systems in some small parish near Paris, that the most important museum in France. A member of the Society of Friends of the Louvre museum complaint neglect and lack of zeal of guards and other staff, because once comes close to stepping on the stolen painting, deposited without any oversight on the ground. And the story ends with a photographer describing how his colleagues and himself in the reproductions, concluding that they did not steal a painting was not wanting.
almost immediately began to circulate in the corridors all the different scenarios on the occasion of theft, perhaps because a thief willing to ask rescue. Some hoped it could be a hoax, but others believed it could be a practical demonstration of the ineffectiveness of the security systems of the Louvre. It was even talk of a box fan or a lover of capricious millionaire intended exclusively enjoy. A worst case scenario was about to cause a diplomatic row by attributing responsibility for the theft to the German government as a way to humiliate France. Do not forget the climate of tension that existed between the two countries before the First World War. For the Germans should not make any grace to the indictment, and the French retaliated by accusing to prepare an anti-German plot.
The police, meanwhile, soon began to make inquiries and drafted a list of suspects. He stopped and questioned numerous people, some very distinguished. One of them was the writer Guillaume Apollinaire, who in one of his provocative statements, was asked to burn the Louvre with all his paintings, and art representing the officer, who in his speech amounted to expire. Through him, was also questioned his friend Pablo Picasso, who had a history of buying stolen goods, although he always denied that he knew that they were. Both were acquitted of the charge.
police efforts were completely unsuccessful, and the box was missing for 853 days. It is said that at this time, many curious people came to the museum just to see the hole in the wall to occupy the work of Leonardo.
few years earlier, the museum had been stolen from other pieces of art, which did the police assume that both events were related. This assumption was held until September 6, 1911, when the writer mistakenly capture Guillaume Apollinaire, who was later acquitted. He had believed in his guilt because he had proposed the burning of the museum, arguing that there was "imprisoned art." Subsequently, he was captured by the painter Pablo Picasso, because he had a history of buying stolen art, who later was also acquitted. While investigations were conducted into the theft was captured by Belgian adventurer Géry Pieret Honoré-Joseph, who confessed to the theft of 1906, but not that of La Gioconda. During his absence in the museum, the continued influx of visitors, went (to a lesser number) to see the hole in the wall where the painting was stolen.
The painting was recovered two years and one hundred and eleven days after the robbery, recording the capture of Perugia. The detainee, tried to sell the original painting to the director of the Galleria degli Uffizi, Alfredo Geri, who was accompanied by the police. Perugia claimed that the robbery had been committed to return the work to its true home, and he only was the victim of a con, the jury sentenced him to several years of prisión.Antes to return to the museum, painting was exhibited in Florence, Rome and Milan. In 1931, Valfierno told her story to an American journalist, revealing the identity of the defrauded of counterfeits. After the theft, some artists say they can doubt the originality of the painting on display, since that could easily be a copy. During the Second World War, there was guarded in the castle of Amboise and then in the abbey of Loc-Dieu.
Fuentes and text: Wikipedia , Lineaserpentinata 
Argentine A merchant named Edward Carpenter Valfierno convinced the Italian Vincenzo Perugia (former employee of the Louvre) to steal the painting to sell it for a millionaire. Eduardo Valfierno. A real con artist, son of an Argentine landowner, who squandered inherit little the fortune of his father. To maintain the lifestyle I was accustomed to, was introduced into the world of selling art, and there happen to make contact with a French forger, the painter Yves Chaudron, which as I have read somewhere is considered almost like a reincarnation of Leonardo himself. Together they became a skilled art scammers.
The August 20, 1911, Perugia came to the Louvre museum waiting for the end to stay hidden inside without getting all complicated and that was well aware of the intricacies and mores of the guards, since Perugia itself had been used the establishment. The next day, the day August 21, 1911 peacefully, using the museum's closing day for maintenance and cleaning, and wearing a white coat like the ones used by museum staff, picked up the box and then click Visconti steps, removed the table from its frame, leaving the latter. Shortly after he left the museum with the painting hidden under his clothes, then placed in a suitcase. 
He took the canvas leaving their fingerprints on the glass that protected the table, but nobody seemed to notice that detail.
When the painter Louis Béroud entered the room to appreciate the painting, which was not noticed immediately and told the guard. The museum closed for a week, for research purposes.
Louvre When employees saw the hole in the wall, not given more importance. They thought they had removed to be photographed for the realization of a catalog, one of the photographers who were allowed to do so. It was not until the following day, Tuesday 22, that the theft was discovered, thanks to the insistence of Louis Béroud, a painter who made reproductions for tourists. Had arrived early that morning copy to the museum to find a good spot and avoid the inconvenience of visitors and onlookers. And after not finding insist, because at first there was a great event, the guards found with horror that the painting had been stolen and not removed to photograph. As stated in the newspaper La Vanguardia, 23 August, was not sure of the theft until early afternoon.
Then went on to denounce the lack of security measures at the Museum. They are frightening, if true, the information La Vanguardia on Saturday August 26 . A deputy was outraged because there was more modern security systems in some small parish near Paris, that the most important museum in France. A member of the Society of Friends of the Louvre museum complaint neglect and lack of zeal of guards and other staff, because once comes close to stepping on the stolen painting, deposited without any oversight on the ground. And the story ends with a photographer describing how his colleagues and himself in the reproductions, concluding that they did not steal a painting was not wanting. 
almost immediately began to circulate in the corridors all the different scenarios on the occasion of theft, perhaps because a thief willing to ask rescue. Some hoped it could be a hoax, but others believed it could be a practical demonstration of the ineffectiveness of the security systems of the Louvre. It was even talk of a box fan or a lover of capricious millionaire intended exclusively enjoy. A worst case scenario was about to cause a diplomatic row by attributing responsibility for the theft to the German government as a way to humiliate France. Do not forget the climate of tension that existed between the two countries before the First World War. For the Germans should not make any grace to the indictment, and the French retaliated by accusing to prepare an anti-German plot.
The police, meanwhile, soon began to make inquiries and drafted a list of suspects. He stopped and questioned numerous people, some very distinguished. One of them was the writer Guillaume Apollinaire, who in one of his provocative statements, was asked to burn the Louvre with all his paintings, and art representing the officer, who in his speech amounted to expire. Through him, was also questioned his friend Pablo Picasso, who had a history of buying stolen goods, although he always denied that he knew that they were. Both were acquitted of the charge. police efforts were completely unsuccessful, and the box was missing for 853 days. It is said that at this time, many curious people came to the museum just to see the hole in the wall to occupy the work of Leonardo.
Valfierno collectors did business with five Americans and a Brazilian, to whom he sold fakes made by the painter Yves Chaudron, each by three hundred thousand dollars.
few years earlier, the museum had been stolen from other pieces of art, which did the police assume that both events were related. This assumption was held until September 6, 1911, when the writer mistakenly capture Guillaume Apollinaire, who was later acquitted. He had believed in his guilt because he had proposed the burning of the museum, arguing that there was "imprisoned art." Subsequently, he was captured by the painter Pablo Picasso, because he had a history of buying stolen art, who later was also acquitted. While investigations were conducted into the theft was captured by Belgian adventurer Géry Pieret Honoré-Joseph, who confessed to the theft of 1906, but not that of La Gioconda. During his absence in the museum, the continued influx of visitors, went (to a lesser number) to see the hole in the wall where the painting was stolen. 
The painting was recovered two years and one hundred and eleven days after the robbery, recording the capture of Perugia. The detainee, tried to sell the original painting to the director of the Galleria degli Uffizi, Alfredo Geri, who was accompanied by the police. Perugia claimed that the robbery had been committed to return the work to its true home, and he only was the victim of a con, the jury sentenced him to several years of prisión.Antes to return to the museum, painting was exhibited in Florence, Rome and Milan. In 1931, Valfierno told her story to an American journalist, revealing the identity of the defrauded of counterfeits. After the theft, some artists say they can doubt the originality of the painting on display, since that could easily be a copy. During the Second World War, there was guarded in the castle of Amboise and then in the abbey of Loc-Dieu. Fuentes and text: Wikipedia , Lineaserpentinata
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Case Marta del Castillo: The 'Cuco', acquitted of murder and rape of Marta del Castillo
First sentence for the case of the disappearance and death of Marta del Castillo. The child nicknamed "El Cuco" has been convicted of aiding and acquitted of murder and rape. The ruling was publicized on Thursday the head of the Juvenile Court No 1 of Sevilla, Alejandro Vian, who has condemned Javier GM to three years of confinement in a juvenile facility and then be two more years on probation.
Marta's family Castle has already shown dissatisfaction with the ruling. José Antonio Casanueva, grandfather of the victim has been in charge of collecting the verdict and has called the judge's decision Seville as " a pitcher of ice water ."
During the trial the past months of January and February, the Office of Children for the defendant requested a sentence of six years of detention in a closed center, followed by three years probation for the crime of murder, two of assault sexual-one the author directly and another to facilitate sexual assault perpetrated by Miguel Carcano, and one against the person for damage caused to parents by not disclosing the whereabouts of the body.
Finally, if the judge "did not consider there is sufficient evidence the direct participation of the child in all of the facts ", the prosecution asked to be convicted of a crime of concealment, asking in this case three years detained in closed facilities.
SOURCE: FOUR 
Acquitted of charges of murder and rape
'The Cuckoo' convicted only to cover up the disappearance and death of Marta del Castillo
Marta's family Castle has already shown dissatisfaction with the ruling. José Antonio Casanueva, grandfather of the victim has been in charge of collecting the verdict and has called the judge's decision Seville as " a pitcher of ice water ."
During the trial the past months of January and February, the Office of Children for the defendant requested a sentence of six years of detention in a closed center, followed by three years probation for the crime of murder, two of assault sexual-one the author directly and another to facilitate sexual assault perpetrated by Miguel Carcano, and one against the person for damage caused to parents by not disclosing the whereabouts of the body.
Finally, if the judge "did not consider there is sufficient evidence the direct participation of the child in all of the facts ", the prosecution asked to be convicted of a crime of concealment, asking in this case three years detained in closed facilities.
SOURCE: FOUR
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